

In celebration of the release of my friend Christine Fonseca's novella DIES IRAE, a prequel to her REQUIEM series, I'm interviewing her :-). I read it this past week, and let me tell you, it is one heart-wrenching story that really calls on you to explore the definitions of good and evil, as well as how closely intertwined love and hate truly are. Now, on to angels, demons and the eternal battle between the two!
"Some sacrifices should never be made—even for love. Mikayel lives by one rule—obey the orders of the angelic Council at all costs. That is, until he and his friends, Azza and Demi, are sent to Earth. Assigned as Watchers while they await their decision of which angelic order to serve, the three assume the bodies of teenagers and experience life as human.
The sensations are overwhelming as the angels experience a host of human emotions—rage, terror, love—and come ever closer to breaking one of the unbreakable rules—never fall in love.
But being human isn’t the only problem facing the three angels. Unbeknownst to the Council, demonic activity is on the rise, threatening to break a tenuous peace that has existed for a millennia; a peace Azza seems bent on destroying.
Caught in a struggle for power with unseen demonic forces and Azza, and fighting against his rising emotional attachment to Demi, Mikayel must now decide how much he is willing to sacrifice for his new found love—a decision that could reignite an ancient war and will threaten the only thing that matters to the angels, the survival of humanity."
How did the idea for DIES IRAE come to you?
DIES IRAE comes from a story in the novel LACRIMOSA and explains the history between two of the characters. When the decision was made to write a prequel novella, this was the perfect story to choose!
What is your drafting style like? Any methods you typically use?
Great question. Typically, I start with the basic premise and problem in the story. Then I stew. And stew. AND STEW. It is during this time that I usually find a song or songs that capture the emotional feel of the story. I listen to the music incessantly. And finally, after ideas have taken root in my subconscious, I loosely outline the major plot points using Blake Synder’s beat sheet. At this point I loosely outline the scenes/chapters. Then, when I am happy with a general structure, I write the “zero” draft. I am much better at editing than drafting, so I really try to word vomit out the draft as quickly as possible.
Why angels? Have you always had an interest in their mythology?
Tough question. The idea for the first story, LACRIMOSA, was always about angelic beings. I guess that is where is all started.
How long did it take you to write DIES IRAE?
Like I said, the basic premise of DIES IRAE was created more than a year ago. That said, I outlined DIES IRAE in a few hours, and drafted over a week or so. After editing, polishing and more editing, I would say it was about a month start to finish, and another couple of weeks after a few people read it. I don’t typically write that fast, but we were under the gun with this one – so yea….it was a fast process.
So this book is a prequel? Is the rest of the series out or are you still working on it? HA! It is definitely a work in process. LACRIMOSA is undergoing its final edits as I type this. There are then two shorts and two novels planned, all coming out over the next 12 to 15 months. I have outlined the short (MEA CULPA) and the second novel (LIBERA ME). Once edits on LACRIMOSA are finished, I will be madly writing in order to meet my deadlines.
I find that characters can teach writers about themselves and the world around them. What did Mikayel, Demi and Azza teach you?
I love this question too. I think the three of them really taught me about the complexity of good and evil, and the presence of both qualities within all of us. Nothing is black OR white, just many shades of gray – and sometimes what separates the shades is barely tangible. Most of all, the relationship between really pointed out how easily things can go from minorly confusing, to seriously a MESS. And how every decision, no matter what the motivation behind it, has consequences, many of which are unpredictable.
Why do you like to write for young adults?
First of all, I work with teens and LOVE this age bracket. Secondly, young adults are at a period in their lives where they really cannot distinguish things they way an adult does. There are in a period of self discovery. Everything is raw, intense, new, unknown. Since I enjoy writing about personal discovery and the inner journey we all take through our emotions, writing YA affords me a context to do this in a very authentic way.
Christine Fonseca is one busy lady and has many great books in the works, so keep an eyes out for LACRIMOSA, and in the meantime, pick up DIES IRAE through Amazon and Barnes and Noble. For more information, and to Google stalk Christine, you can peep her blog, Facebook, and Twitter.







